Yarli Allison (b. Ottawa, Canada) was raised in British colonial Hong Kong.
Building upon her experiences of displacement, Yarli embodies ‘emotional geography’ studies to compose both sculptural and virtual fictitious scenarios that are seemingly hopeful and functional, yet on the verge of falling apart.
Often interacting with personas or creatures, these imagined worlds consist of her invented survival tactics and coping mechanisms. Yarli utilises the process of cognitive restructuring and belonging remapping to play with the sense of futility and the uncertain future of ‘what if’. Themes including border systems, datafication, and function creep are explored, along with skinships, queerness, and sexual objectification.
Yarli’s recent virtual reality generated work, referencing her early age refuge-seeking experiences with ‘digital gamification’ in cyberspace. They pose questions on sculpture’s physicality, mobility, and its preservation in the posthuman and dematerialised conditions to come. Despite this, she constantly returns to her sculpture-installation background, leaving strong raw-handcrafted traces in her work that emphasise accidents caused by human errors in the making.
> Yarli will be exhibiting her moving-image work & 360 virtual experience with AAA here